“词的美学尊严”:阿多诺早期语言论纲中的审美主义  

“Aesthetic Dignity of Words”: Aestheticism in Theodor W. Adorno’s Early Theory on the Philosophy of Language

作　　者：汪尧翀[1] Wang Yaochong(Institute of Literature,Chinese Academy of Social Sciences,Beijing 100732,China)

机构地区：[1]中国社会科学院文学研究所,100732

出　　处：《文艺理论研究》2020年第2期185-195,共11页Theoretical Studies in Literature and Art

基　　金：中国社会科学院青年启动基金项目“哈贝马斯美学思想研究”[项目编号:2020YQNQD0053]的阶段性成果。

摘　　要：作为阿多诺早期语言哲学的核心文献之一,《关于哲学家语言的论纲》长期以来未受重视,可谓目前阿多诺研究中的盲点。近年来,西方学界逐步认识到了经典批判理论语言哲学可作为反思语言学转向的思想资源。德语学界中批判理论的新一代研究者更是提出了"语言范式",进一步推动了阿多诺语言哲学的复兴。阿多诺的语言哲学源自对本雅明语言哲学的创造性转化,其历史性贡献在于将后者的独特创获转渡到社会批判层面,形成了其思想的方法论内核即作为语言批判的社会批判。阿多诺以"词的美学尊严"强调艺术与认知的合流,并在其语言哲学中确立起审美主义取向。这种语言论的审美主义有助于理解阿多诺整体思想的发展脉络。As a key piece of writing of Theodor W. Adorno’s early theory on philosophy of language, Theses on the Language of the Philosopher has lacked scholarly attention for a prolonged period of time. In recent years, Western scholars realize that the philosophy of language in classic critical theory affords potential ideological resources to reflect on the linguistic turn. The new generation of German scholars in critical theory also propose a "language paradigm", which promotes the revival of Adorno’s philosophy of language. Adorno’s historical contribution to the philosophy of language is based on his creative extension of Walter Benjamin’s theology/philosophy of language into the realm of social criticism. With social criticism as the methodological core of linguistic criticism, Adorno emphasizes the confluence of art and cognition, establishing an orientation of aestheticism through "the aesthetic dignity of words" in his philosophy of language. This linguistic aestheticism is a good perspective to understand the chronical development of Adorno’s thought.

关 键 词：阿多诺 本雅明 批判理论 语言哲学 审美主义 

分 类 号：H0-05[语言文字—语言学]