摄影与中国近世绘画思潮  

Photography and Modern Chinese Painting Trend

作　　者：韦宾[1] WEI Bin(School of Fine Arts,Shaanxi Normal University,Xi’an 710119,China)

机构地区：[1]陕西师范大学美术学院,陕西西安710119

出　　处：《美育学刊》2020年第3期74-84,共11页Journal of Aesthetic Education

基　　金：国家社会科学基金艺术学项目“中国近世绘画思潮研究”(17BF101)的阶段性成果。

摘　　要：摄影对于中国绘画的影响,与西方有相似之处,但因文化差异也显现出与西方的不同之处。摄影改变了中国人的观看方式,注意到光在绘画中的价值;凸显了意境在绘画中的地位,催生照相写实;广泛普及了古典作品的传播,推动对绘画本质的重新认识。The impact of photography on Chinese painting is similar to that on the west,but they are distinct from each other due to their cultural differences.Photography has changed the way of viewing by enabling Chinese to realize the significance of light in painting.Besides,it has generated the Photographic Realism by highlighting on the status of imagery in painting and has also helped people rethink the nature of painting by widely disseminating classics.

关 键 词：摄影 透视 照相写实 意境 绘画 

分 类 号：J40[艺术—摄影艺术] J209