《巴山夜雨》与中国叙事  

Bashan Night Rain and Chinese Narrative

作　　者：朱丽林 杨筱 ZHU Li-lin;YANG Xiao(School of Humanities,Kashgar University,Kashi Xinjiang 844000,China)

机构地区：[1]喀什大学人文学院,新疆喀什844000

出　　处：《河北软件职业技术学院学报》2020年第2期69-72,共4页Journal of Hebei Software Institute

摘　　要：与众多反映时代伤痛类的电影不同,《巴山夜雨》另辟蹊径,采用非常规叙事视角,很好地诠释了在时代洪流中人事万物的面貌,也完美地展现了个人的挣扎和自我解放,展现出中国人美好的心灵。这部电影中串珠式的叙事结构、真善美多重叙事视角的运用以及恕文化的内涵,都带有明显的中国传统文化和中国意蕴的叙事特色,给当今电影叙事提供了很好的范本。In the films reflecting the pain of the times,Bashan Night Rain is another unconventional narrative perspective,which is a good interpretation of all things in the current times,and also a perfect display of personal struggle and self liberation,showing the beautiful mind of the Chinese people.The beaded narrative structure,the use of multiple narrative perspectives of truth,kindness and beauty,and the connotation of forgiving culture in this film all have obvious narrative characteristics of Chinese traditional culture and Chinese connotation,which undoubtedly provides a good model for today's film narrative.

关 键 词：传统文化 中国叙事 真善美 恕文化 

分 类 号：I235[文学—中国文学]