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作 者:朱银花 刘红麟[1] ZHU Yinhua;LIU Honglin(Hunan Institute of technology,Chinese language and literature,Yueyang 414006,China)
机构地区:[1]湖南理工学院中国语言文学学院,湖南岳阳414006
出 处:《湖州师范学院学报》2020年第5期84-89,共6页Journal of Huzhou University
摘 要:民国上海遗民出于对遗民身份的坚守,有意识地通过私家园林以及经营性园林,将传统遗民的生活环境场景化,从而得以在上海这一繁华的现代都市中,营造传统遗民的隐居气氛。寓居园林或是游园、赏园,遗民们通过身体性在场,感知园中自然景物与文化事物所营造的气氛,其园林诗文书写便自觉地略去了上海城市化的痕迹,延续着传统遗民的书写方式,其中主要表现在对隐逸之乐与亡国之哀的表达。In order to stick to the identity of the adherents,the adherents of Shanghai in the Republic of China consciously set the living environment of the traditional adherents through private gardens and business gardens,so as to create a reclusive atmosphere of the traditional adherents in Shanghai,a prosperous modern city.Living in the garden or visiting or appreciating the garden,the survivors perceive the atmosphere created by the natural scenery and cultural things in the garden through their physical presence,and their garden poetry writing consciously omits the traces of Shanghai’s urbanization,and continues the traditional way of writing,which is mainly reflected in the expression of the joy of seclusion and the sorrow of the lost country.
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