数字展览资源(2010-2019)与中国现代艺术研究动向  

Digital Exhibition Resources(2010-2019)and the Trend of Researches on Modern Chinese Art

作　　者：曹庆晖[1] Cao Qinghui

机构地区：[1]中央美术学院美术史系

出　　处：《美术》2020年第6期27-33,共7页Art Magazine

摘　　要：艺术展览,是美术馆等文化机构实现自身主体职能、展现艺术领域研究和介入社会文化建设的专门形式;数字展览——本文所指主要是360°全景或3D虚拟在线展览——是通过计算机影像数字技术再现展览,以实现其长久留存和社会传播最大化的网络虚拟形式。数字展览不像实体展览那样,受真实世界时间和空间的绝对限制,而是可以随时登录上线浏览的"永不闭幕"的展览。这种全景再现和全时在线的特征,使数字展览成为有利于用户自主学习和研究的艺术资源。出于了解中国现代艺术研究现状的需要,本文就此方向下数字展览资源的搜索路径及其平台予以梳理、分析和评价,同时管中窥豹,就其中反映出来的研究动向予以把握和归纳。The art exhibition is a special form for cultural institutions,such as art museums,to realize their main functions,to present art research and to intervene in social and cultural construction,while the digital exhibition,which mainly refers to the panoramic or 3D virtual online exhibition in this paper,is a virtual form of network that reproduces the exhibition through computer image digital technology in order to realize long-term preservation and maximize social communication.Different from the physical exhibition that enables the audience to enjoy the exhibition in real space and time,the digital exhibition allows visitors to log on to the"never closing"exhibition at any time without limitations.With panoramic reproduction and full-time connection,the digital exhibition has become an art resource that is conducive to users’independent learning and research.To understand the current situation of the modern art research in China,this paper arranges,analyses and evaluates the search path and platform of digital exhibition resources to grasp and summarize the research trend reflected in it.It should be noted that the collection and statistics of this paper on online digital exhibitions were updated until April 4,2020.

关 键 词：数字展览 搜索途径 中国现代艺术研究动向 

分 类 号：J0-05[艺术—艺术理论]