论现代戏曲文学性独立价值的确立及与舞台表演性的制衡  

On Establishment of the Independent Value of Literature of Traditional Chinese Opera and Balance with Stage Performance

作　　者：吕灵芝[1] LV Lingzhi

机构地区：[1]浙江艺术职业学院,杭州310053

出　　处：《浙江艺术职业学院学报》2019年第4期34-38,共5页Journal of Zhejiang Vocational Academy of Art

基　　金：2015年浙江省教育厅一般科研项目“现代戏曲文学性独立价值的确立研究”成果。(项目编号:Y201533785)。

摘　　要：近代地方戏强大的表演体系消减了戏曲的文学性。近世戏曲舞台文学性的萎弱是戏曲艺术发展中的最大缺憾。戏曲文学性在戏曲艺术中有其独立价值,在现代戏曲的创作中应予重新确立。同时,戏曲文学性要与表演性相制衡,才能促进戏曲艺术新的发展。The powerful performance system of modern local opera has reduced the literature of traditional Chinese opera.The weakening of the literature on modern stages is the biggest shortcoming in the development of traditional Chinese opera.The literature of opera has its independent value in the art,and should be re-established in the crea⁃tion of modern Chinese opera.Meanwhile,the literature of opera should be balanced with the performance to promote the new development of traditional Chinese opera art.

关 键 词：现代戏曲 文学性 表演性 独立价值 制衡 

分 类 号：J802[艺术—戏剧戏曲]