大正及昭和初期日本文学中的“哈尔滨游记”  

‘Harbin Travel Notes’in Japanese Literature in the Early Days of Taisho and Showa

作　　者：祝然[1] Zhu Ran

机构地区：[1]大连外国语大学软件学院,辽宁大连116044

出　　处：《东北亚外语研究》2020年第2期3-10,共8页Foreign Language Research in Northeast Asia

基　　金：国家社科基金重大项目“近代以来中日文学关系研究与文献整理(1870-2000)”(17ZDA277);辽宁省教育厅项目“日本殖民文学中的哈尔滨”(2016JYT17)的阶段性成果。

摘　　要：大正及昭和初期日本文学中的“哈尔滨游记”,是在战争及殖民视域内对于哈尔滨都市空间所进行的细致解读,为日本国内的读者带来了十分生动现场体验。在这些作品中,“白俄”“松花江”以及“中国人”是颇受作家青睐的主体形象,围绕其展开的套语式记述,不但成为“哈尔滨游记”的典型特征,更是阐释当时日本作家主流意识形态的关键要素。白俄的潦倒与堕落、松花江的浑浊与汹涌、中国人的被动与沉默——这些典型形象为读者构建起十分具有时代特色的“哈尔滨游记”,描绘出一幅幅信息量宏大、观察角度多维的哈尔滨全景图。‘Harbin Travel Notes’in Japanese literature in the early days of Taisho and Showa is a detailed interpretation of Harbin’s urban space from the perspective of war and colonization,bringing a very vivid live experience to readers in Japan.In these works,‘White Russian’‘Songhua River’and‘Chinese’are the main images favored by writers.The formulaic descriptions around them not only become the typical features of‘Harbin Travel Notes’,but also construct the key elements to explain the mainstream ideology of Japanese writers at that time.The poverty and depravity of White Russian,the turbidity and surging of Songhua River,and the passivity and silence of the Chinese people,these typical images have constructed‘Harbin Travel Notes’with the characteristics of the times for readers,depicting panoramic pictures of Harbin with great information and multi-dimensional observation angles.

关 键 词：“哈尔滨游记” 白俄 松花江 伪满洲国 

分 类 号：I106[文学—世界文学]