麦积山石窟第12窟窟顶壁画释读  

Deciphering the Ceiling Murals in Cave 12 at the Maijishan Grottoes

作　　者：张铭 ZHANG Ming(School of Archaeology and Museology,Peking University,Beijing 100871;Art Institute of Maijishan Grottoes,Dunhuang Academy,Tianshui,Gansu 741020)

机构地区：[1]北京大学考古文博学院,北京100871 [2]敦煌研究院麦积山石窟艺术研究所,甘肃天水741020

出　　处：《敦煌研究》2020年第3期63-70,共8页Dunhuang Research

基　　金：国家社科基金项目“丝绸之路甘肃段石窟寺类文化遗产价值研究”(16XKG006)。

摘　　要：麦积山石窟第12窟开凿于隋代,窟顶壁画为明代重绘,主要内容为鬼子母因缘和释迦牟尼涅槃,其中的揭钵图是对中土自宋元开始流行的这一图像的继承和发展,是麦积山唯一的鬼子母因缘壁画。Cave 12 at the Maijishan Grottoes was built in the Sui dynasty.The ceiling murals were repainted in the Ming dynasty and mainly depict the karma of Hariti and the nirvana of Shakyamuni Buddha.The scene of“raising the alms-bowl”in the murals,an image that shows the inheritance and development of the same theme since the Song and Yuan dynasties in the Central Plains,is the only image about the karma of Hariti in the murals of the Maijishan Grottoes.

关 键 词：麦积山石窟第12窟 涅槃 鬼子母 揭钵图 《杂宝藏经》 

分 类 号：K879.240[历史地理—考古学及博物馆学]