文化符号在城市空间重塑中的异化与再生产——以佛山岭南天地为例  

On the Alienation and Reproduction of Cultural Symbols in the Shaping of Urban Space:with Lingnan Heaven and Earth in Foshan as Example

作　　者：肖文婷[1] XIAO Wenting(School of Design,Shunde Polytechnic,Foshan Guangdong 528333,China)

机构地区：[1]顺德职业技术学院设计学院,广东佛山528333

出　　处：《顺德职业技术学院学报》2020年第2期86-90,共5页Journal of Shunde Polytechnic

基　　金：佛山市社科规划青年项目(项目编号2019-QN32)。

摘　　要：在消费时代下文化被抽象成符号,成为城市空间的具有价值的资本形式,并参与到城市空间重塑的过程中去。文章结合岭南天地旧城改造项目的改造实际情况,解构文化符号在佛山如何本土异化与再生产过程,解读其文化符号变化在旧城改造过程中的内在逻辑,思考与反思如何利用文化符号的合理异化与再生产的正确方式。岭南天地“文化式”的旧城改造成功,取决于真实的历史文化遗存与兼容并包的佛山城市文化特质,才能使得文化符号在重塑中合理异化与再生产的有效应用。In the era of consumption,culture is abstracted into symbols,becoming a valuable form of capital of urban space and participating in the process of urban space reconstruction.Based on the real situation of the reconstruction project of the old city of Lingnan Heaven and Earth in Foshan,this paper deconstructs the process of local alienation and reproduction of cultural symbols in Foshan,interprets the internal logic of the change of cultural symbols in the reconstruction process of the old city,and reflects on the correct way to make use of the reasonable alienation and reproduction of cultural symbols.The success of the culture-loaded reconstruction of the old city of Lingnan Heaven and Earth depends on the real historical and cultural relics and the compatible and inclusive cultural characteristics of Foshan city,which make the cultural symbols reasonably alienated and effectively reproduced in the reconstruction.

关 键 词：文化符号 城市空间 异化与再生产 

分 类 号：TU984[建筑科学—城市规划与设计]