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作 者:韩清玉[1] Han Qingyu(Shandong University)
机构地区:[1]山东大学文艺美学研究中心,山东济南250100
出 处:《学术界》2020年第6期121-129,238,239,共11页Academics
基 金:国家社科基金重大招标项目“生态美学文献整理与研究”(16ZDA111);安徽大学大自然文学协同创新中心2017年度重点课题“中国当代自然生态审美的理论形态及其效用研究”及山东大学“齐鲁青年学者”计划的阶段性成果。
摘 要:基于20世纪50、60年代美学大讨论特别是实践美学自然美观点的深入建构与西方环境美学、生态学思想引入的双重语境,新时期自然生态审美理论以生态存在论、自然美本体论和景观功能论三大向度展开,体现出自然审美中人的在场/退隐、美学理论建构的西方资源与本土立场的关系等多个问题域。三大向度重绘了自然美研究的理论版图,特别是将自然美本质论纳入自然生态审美的视野,形成与西方当代环境美学、身体美学等前沿话题的有效对话,并把美学大讨论中的重要观点加以审视,本身即为当代美学研究的一种丰富。在其研究方法上,不同理论倾向的比较分析可以实现当代自然生态审美理论的立体建构,并把自然美的问题纳入生态文明建设的语境,为自然主题的文学艺术批评筑建哲学基础和学理支撑。As result of comprehensive discussions on aestheticsin the 1950s and 1960s,especially the ex-tensive construction of natural beauty of Aesthetics of Practice,and the introduction of Western environmen-tal aesthetics and ecological ideas to China,the theories of aesthetics on nature and ecology in the New Period approach from the perspectives of ecological ontology,the ontology of beauty of nature and the function of landscape.They deal with a number of topics,such as the presence/retreat of human in the aesthetics of na-ture,and the relationship between the W estern theories and the local positions in the construction of aesthetic theory.These three perspectives have drawn a new theoretical map of beauty of nature,especially putting the beauty of nature into aesthetic vision on nature and ecology.It has been forming an efective dialogue with the frontier topics of W estern contemporary environmental aesthetics and somaesthetics.With the examination on the important views of aesthetic discussion,it is a kind of richness of contemporary aesthetic studies.Relat-ed to its research methods,the comparative analysis of different theoretical tendencies can realize the three-dimensional construction of contemporary aesthetics of nature and ecology,incorporate the isue of beauty of nature into the context of ecological civilization,and build a philosophical foundation and academic support for the literary and artistic criticism of themes of nature.
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