从叙事艺术看冯梦龙对话本小说的改进:以《蒋兴哥重会珍珠衫》为例  

Feng Menglong's Improvement of Novel from the Perspective of Narrative Art:Taking Jiang Xingge's Pearl Shirt as an Example Ma Tian

作　　者：马甜 祝东 Zhu Dong(Lanzhou University)

机构地区：[1]兰州大学文学院

出　　处：《探索与批评》2020年第1期102-114,共13页Inquiry and Criticism

摘　　要：《蒋兴哥重会珍珠衫》是明代拟话本小说的代表作。据考证,珍珠衫故事在此之前已有文言小说和戏曲流传于世,但是将一千七百余字的文言小说改编为两万余字的白话小说,实属冯梦龙的再创作,在叙事视角、情节结构、叙事时间等方面都表现出对文言小说的超越。作为“三言”的首篇,其艺术和思想成就历来受到学界的重视,冯梦龙灵活娴熟的叙述手法,兼具时代性和超前性的思想内涵,推动了明代白话短篇小说的发展。Jiang Xingge's Pearl Shirt is a representative work in the Ming dynasty.According to the research,the story of"Pearl Shirt"had been spread in the world before,but the adaptation of more than 1700 characters of classical Chinese novels into more than 20000 characters of vernacular Chinese novels is Feng Menglong's re-creation,which transcends classical Chinese novels in narrative perspective,plot structure,narrative time and other aspects.As the first part of“Three Words”,Feng Menglong's artistic and ideological achievements have always been valued by the academic circle.Feng Menglong's flexible and skillful narrative techniques,as well as his ideological connotation reflecting in times and beyond times,promoted the development of vernacular short stories in the Ming dynasty.

关 键 词：珍珠衫 话本 叙事艺术 明清小说 冯梦龙 

分 类 号：I20[文学—中国文学]