新时期“袍带戏”剧目当代嬗变刍论  

On the Contemporary Evolution of"Paodai Opera"in New Era

作　　者：周涛[1] ZHOU Tao

机构地区：[1]黄山学院文学院,安徽黄山245041

出　　处：《淮南师范学院学报》2020年第2期50-55,共6页Journal of Huainan Normal University

基　　金：安徽省高校人文社会科学研究重点项目“民俗场域中安徽当代地方戏曲剧目创编机制研究”(SK2017A0385);安徽省哲学社会科学规划项目(AHSKY2016D154)。

摘　　要：剧目或剧目类型支撑起中国戏曲的实体性存在,其中,“袍带戏”在现代语境中独特的生存态势使其成为观照戏曲生命力的风向标。它在新时期以来彰显现代性精神价值,生发出对于现代公民意识和法制观念的吁求,接通了现代知识分子的人格精神,开拓出形而上的悲剧美学空间,并体现出回归民俗场域的新动向。新时期“袍带戏”的嬗变特质对传统剧目的整体转型具有参照和启示意义,为中国戏曲的当代生存、发展提供了经验和助力。The substantial existence of Chinese opera is supported by repertoires or types of repertoires,in which,the unique survival situation of"paodai drama"in modern context makes itself become the wind vane to observe the vitality of opera.In new era,the"paodai opera"shows the spiritual value of modernity,arousing modern citizens'consciousness and legal concept,connecting the personality spirit of modern intellectuals,opening up metaphysical tragic aesthetic space,and embodying the new trend of returning to the folkloric field.In the new era,the contemporary evolution of"paodai opera"has referential and enlightening significance for the overall transformation of traditional repertoires,and provides experience and assistance for the contemporary survival and development of Chinese operas.

关 键 词：袍带戏 当代嬗变 现代性 民俗场域 

分 类 号：I207.301[文学—中国文学]