张谦宜格调诗学的构成与渊源  

The Structure and Origin of Zhang Qianyi’s Gediao Poetics

作　　者：黄卓颖[1] HUANG Zhuo-ying(School of Literature, Nanjing Normal University, Nanjing 210097, China)

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《烟台大学学报（哲学社会科学版）》2020年第4期44-52,共9页Journal of Yantai University(Philosophy and Social Science Edition)

摘　　要：清初诗人张谦宜以格调论诗,内容主要围绕风格的评述、诗体的辨析以及诗法的建构三个方面展开。其中很多诗学观念与诗学精神都源于其师杨师亮、七子诗学以及山东地域诗学的影响。这一点已为学界所共知,但是,有关毛先舒与张谦宜的关联,却绝少发明。张谦宜格调诗学在审美理想、性情抒写、经典建构与雅化情怀上都与毛先舒的诗论有着紧密的承续或同构关系。实质上,张谦宜通过整合前代,以毛先舒的内向式审美纠正七子格调的叫嚣,以七子格调的重气力挽救毛先舒重韵致的疲软,从而建立起了一套讲究正大、陡健、匀称、紧致之美的新格调说。它不仅丰富了清初格调诗学的内容,同时也启发了后来诸多格调论者的新思路。Zhang Qianyi,the poet in early Qing Dynasty,took Gediao as the principle in his studies on poetry,including comments on poetic styles,analysis on poetic categories and the construction of poetic techniques.It is well-known in academia that Zhang’s poetic ideas and spirit is mostly influenced by the poetics of his teacher Yang Shiliang,“seven gifted poets”in Ming Dynasty and other poets in Shandong area.However,the connection between Mao Xianshu and Zhang Qianyi was barely studied.After elaborate investigation and analysis,it is found that the poetics of Zhang and Mao have close successive and isomorphic relation on aesthetic ideals,expressions of emotion,classic formation as well as sentiment toward elegant poetry.In fact,by the integration of the previous poetics,Zhang rectified the radicalness of Gediao of“seven gifted poets”by introverted aesthetics of Mao and in return reduced the weakness of Mao’s poetics by the strength of the Gediao of“seven gifted poets”,thus establishing a set of new Gediao theory that values grandness,symmetry and tightness.Therefore,Zhang’s theory not only enriched the overall Gediao poetics in early Qing Dynasty,but sparked more new ideas for many Gediao poetics scholars afterwards.

关 键 词：张谦宜 格调说 毛先舒 清代诗学 

分 类 号：I206.2[文学—中国文学]