宋前文房四宝主题诗文的旨趣流变  

Changes of Articles and Poems With the Theme of Four Treasures of Study Before the Song Dynasty

作　　者：戴红贤[1] 沈钰洁 DAI Hong-xian;SHEN Yu-jie(College of Liberal Arts,Wuhan University,Wuhan,Hubei 430072,China)

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《石家庄学院学报》2020年第4期138-145,共8页Journal of Shijiazhuang University

摘　　要：笔砚纸墨既是中国古代文人必备的书写工具,也是文人咏物写作的常见对象。以《文房四谱》“辞赋”为代表的宋前文房四宝主题诗文可分为叙述、品鉴和言志三类。这三类诗文的写作主旨呈现出较有规律的嬗变轨迹:叙述类从重在博物纪事发展到重在怀古鉴今,品鉴类的关注点从概括功能转向细致的审美,言志类在言志手法上从人器分离的托物言志发展到人器合一的寓言拟传。这种演变是咏物文学发展和文房四宝文化深化的双重结果,其传承也正是以文房四宝器物文化为纽带的文人趣味的沿袭与革新。Writing brush,ink stick,rice paper and inkstone are not only essential writing tools for ancient Chinese literati,but also common objects for literati's writing.The articles and poems on the Four Treasures of Study before the Song Dynasty,represented by"Cifu"in the book Wenfangsipu,can be divided into three categories:narrative,tasting and expression.The writing themes of these three categories show a more regular evolutionary trajectory:the narrative type develops from the natural history to the nostalgic one,and the focus of the tasting type changes from the general function to the detailed aesthetics.In terms of ethics,the concept of separation of objects and human develops into the allegory of humanity and unity.This evolution is the double result of the development of chanting literature and the deepening culture of the Four Treasures of Study and its inheritance is also the imitation and innovation of the literati's interest taking the Four Treasures of Study as the link.

关 键 词：文房四宝 宋前 咏物文学 分类 旨趣 

分 类 号：I206.2[文学—中国文学]