论中国民众对爱情诗接受的审美特质——以《蒹葭》《一棵开花的树》为例  

On the Aesthetic Characteristics of Chinese People’s Acceptance of Love Poems--Take The Reed and A Flowering Tree as Examples

作　　者：李静[1] LI Jing(Art Department,Guangxi Preschool Normal College,Nanning,Guangxi 530022,China)

机构地区：[1]广西幼儿师范高等专科学校艺术系,广西南宁530022

出　　处：《河池学院学报》2020年第3期7-12,共6页Journal of Hechi University

摘　　要：《蒹葭》和《一棵开花的树》两首诗歌被中国民众作为爱情诗来接受。这种与诗歌创作原意相违背的接受现象,深刻反映了中国民众对爱情诗接受的审美特质。"含蓄婉约"是中国民众对爱情诗接受的主要审美风格。这与中国克制人欲的传统文化及"温柔敦厚"的诗教传统有关,也与现实中人们对爱情体验的心理特征有关。The Reed and A Flowering Tree are accepted by the Chinese people as love poems,contrary to the original intention of the poems,and deeply reflect the aesthetic characteristics of the Chinese people.“Implicity and restrain”are the main aesthetic styles accepted by the Chinese people,related to the traditional Chinese culture of restraining human desire and the tradition of“gentle and honest”poetry teaching,as well as the psychological characteristics of people’s experience of love in reality.

关 键 词：中国民众 爱情诗 审美 

分 类 号：I207[文学—中国文学]