论电影《黑骏马》的诗意性  

On the Poetic Nature of the Film Black Steed

作　　者：姚志林 左沙 YAO Zhilin;ZUO Sha(College of Literature and Media,Hechi University,Hechi,Guangxi 546300,China)

机构地区：[1]河池学院文学与传媒学院,广西河池546300

出　　处：《河池学院学报》2020年第3期13-17,共5页Journal of Hechi University

基　　金：2018年河池学院立项研究重点课题“新时期少数民族电影的电影美学研究”(2018XJZD001)。

摘　　要：少数民族题材电影《黑骏马》改编自张承志的同名小说,是我国第四代导演的代表人物谢飞1995年的作品。电影以其诗意性的叙事策略,视听语言以及主题意蕴表现出强烈的民族思考、人文关怀和诗意忧患,较为集中地展现了谢飞的诗意理想与艺术追求。影片中,儒者谢飞以诗意性作为支架,以民族性作为外衣,裹挟着哲思性以及寓言性的内蕴;使这一部充斥着民族诗性、人性诗话、生命诗情的电影具有更为深刻的内涵。电影中成功的诗意性艺术表征,对当下发展中国民族电影特别是少数民族电影有着重要的借鉴意义。The ethnic minority film Black Steed is adapted from Zhang Chengzhi’s novel of the same name,and is the work of Xie Fei,a representative of the fourth generation of directors in China in 1995.With its poetic narrative strategy,audio-visual language and theme implication,the film Black Steed shows strong national thinking,humanistic care and poetic suffering.This artistic techniques centrally shows Xie Fei’s poetic ideal and artistic pursuit.In this film,the Confucian Xie Fei takes poetry as the support and nationality as the coat.At the same time,the film also has the connotation of philosophy and allegory.In this way,the film is full of national poetry,human poetry and life poetry,and has a more profound connotation.Therefore,the successful poetic artistic representation in this film is of great significance to the current development of Chinese national films,especially Chinese minority films.

关 键 词：《黑骏马》 诗意性 少数民族题材电影 

分 类 号：J905[艺术—电影电视艺术]