欧阳修一般艺术学理论探析  

On Ouyang Xiu’s Theory of General Art

作　　者：李凯[1] LI Kai(School of Literature and Journalism,Southwest Minzu University,Chengdu,Sichuan 610041,China)

机构地区：[1]西南民族大学文学与新闻学院,成都610041

出　　处：《四川师范大学学报（社会科学版）》2020年第4期118-129,共12页Journal of Sichuan Normal University(Social Sciences Edition)

摘　　要：欧阳修具有多面艺术才能、广泛艺术实践和审美兴趣,他对文学、绘画、书法、音乐都发表了不少重要见解。从一般艺术学出发可以完整理解欧阳修的艺术学理论总貌。文道关系构成其本质论的核心,穷而后工、法与无法辩证关系为其创作论,政治道德功能和心理调适为其功能论,追求自然和审美意蕴是其艺术审美主要观点。欧阳修是中国艺术理论史上具有突出贡献的理论家。Ouyang Xiu has various artistic talents,extensive artistic practice and noble aesthetic interest.He has published many important opinions on literature,painting,calligraphy and music.From the perspective of general art,Ouyang Xiu’s overall theory of art can be fully understood.The relationship between literature and Tao constitutes the core of its essential theory.He takes the believes that“literary excellence is achieved only after many frustrations”,and the relationship between law and indigence as his creation theory.Political moral function and psychological adjustment are his functional theory.The pursuit of nature and aesthetic connotation constitutes his main point of artistic aesthetics.Ouyang Xiu is a theorist with outstanding contributions in the history of Chinese art theory.

关 键 词：欧阳修 一般艺术学 本质论 创作论 功能论 审美论 

分 类 号：I0[文学—文学理论]