奥运电影剧本的创新性探索  

A Study on the Innovation of Olympic Screenplays

作　　者：李景泽 朱虹[1] 刘杨[1] 王洁琼[1] LI Jing-ze;ZHU Hong;LIU Yang;WANG Jie-qiong(School of Chinese Language and Literature,Hebei North University,Zhangjiakou,Hebei 075000,China)

机构地区：[1]河北北方学院文学院,河北张家口075000

出　　处：《河北北方学院学报（社会科学版）》2020年第2期21-23,共3页Journal of Hebei North University：Social Science Edition

基　　金：张家口市哲学社会科学研究课题(2018082)。

摘　　要：从艺术角度而言,奥运电影专指非官方奥运电影,它以在影院上映赢得票房和口碑为目的,在创作上更加灵活,更加具备电影艺术的特质。但长期以来,套路化的剧作模式是奥运电影存在的主要问题。打破固有思维,探究奥运电影在选材、主题与情节等构思上的新方法和新思路,是解决这一问题的关键。From the artistic point of view,the Olympic movie refers to the unofficial Olympic movie,which aims at the box office and the public praise.This kind of movie is more flexible in creation and has the characteristics of movie art.However,the routine mode of screenplay creation is a long-existing problem in the Olympic movie.The solution to this problem is to break the inherent thinking and explore the new methods and new ideas in the selection of the subject,the theme and the plot of the Olympic movie.

关 键 词：奥运电影 剧作 创新 

分 类 号：I053.5[文学—文学理论]