钱谦益诗文创作要素理论研究  

A Theoretical Study on the Creation Elements of Qian Qianyi’s Poetry and Prose

作　　者：朱田园 ZHU Tian-yuan(Yangzhou University,Yangzhou 225002,China)

机构地区：[1]扬州大学文学院,江苏扬州225002

出　　处：《扬州教育学院学报》2020年第2期20-24,共5页Journal of Yangzhou College of Education

摘　　要：从文学创作的角度来看,钱谦益认为诗文是灵心、世运和学问三个文学创作要素共同作用的结果。“灵心”作为文人与生俱来的禀赋,从属于精神世界,“学问”则是历史传承下来的语言文化,是文学创作的根基,二者与代表现实世界因素的“世运”统筹合一构成了钱谦益的文学创作观。该诗文创作要素理论源于钱谦益对明代文学的批判总结,论证了“学问”与“灵心”的同等地位,进而推导出三者在文学创作中的内在逻辑。基于此,就“有意”与“无意”的诗学传统而言,钱谦益的文学创作要素理论对古典文论“无意为文”的观点造成了一定程度的颠覆。From the perspective of literary creation,Qian Qianyi believed that poetry and prose were the result of the joint action of the three literary creation elements of spirituality,knowledge and world movement.As the innate gift of literati,“spiritual heart”belongs to the spiritual world,while“Knowledge”is the language culture inherited from history and the foundation of literary creation.The integration of the above two with the“world movement”that represents the real world constitutes Qian Qianyi’s literary creation concept.This theory originated from Qian Qianyi’s criticism summary of the literature in Ming Dynasty,demonstrates the equal status of“knowledge”and“spirituality”and then deduces the internal logic of the three in literary creation.Based on this,in terms of the“intentional”and“unintentional”poetic traditions,Qian Qianyi’s theory of literary creation elements has caused a certain degree of subversion of the“unconsciousness”in classical literary theory.

关 键 词：灵心 世运 学问 创作要素 有意 无意 

分 类 号：I206.49[文学—中国文学]