时空、意义与叙述——罗伯-格里耶“游戏”观念的文学阐释  

Time,Space,Meaning,and Narrative: Literary Interpretation of Alain Robbe-Grillet’s Concept of Game

作　　者：何明星 韩颖怡 He Mingxing;Han Yingyi(Faculty of Chinese Language and Culture,Guangdong University of Foreign Studies)

机构地区：[1]广东外语外贸大学外国文学文化研究中心,510420 [2]中文学院

出　　处：《文艺理论研究》2020年第4期29-41,共13页Theoretical Studies in Literature and Art

基　　金：广东省教育厅特色创新项目[项目编号:2015WTSCX022];广东外语外贸大学研究生科研创新项目[项目编号:19GWCXXM 04]的成果。

摘　　要：罗伯-格里耶在文学作品中创造了一个特色鲜明的游戏世界。不同于由线性时间和欧几里德空间组成的日常世界,他的游戏世界以拓扑空间为立足点,内外空间相互连接,拓扑等价,时间永远停留在现在,人物获得了真正的自由。罗伯-格里耶通过悬搁语言结构,让客体对象回归本真存在,人与物平等存在;这种回归,是为了创造使意义得以无限生成的生成游戏,是对真理的唯一性和作者的权威性的反叛,它赋予了读者一个自由创造的想象空间。在这个世界里,矛盾和重复的叙述颠覆了完整而又自成一体的传统叙述,使文本结构呈现出开放而多样的状态,最大限度地释放了文本解读的多重可能性。Alain Robbe-Grillet creates a distinctive world of game in his literary creations. Different from the everyday world of linear time and Euclidean space, Robbe-Grillet’s world of game is based on topological space, where the inner and outer spaces are interconnected and topologically equivalent, the time stops at the present, and characters gain true freedom. By suspending the linguistic structure, Robbe-Grillet enables objects to return to their natural existence, where human and substance exist equally. The purpose of this return is to create a game that generates infinite meaning. This game is a rebellion against the unique truth and the authority of the author, allowing the reader a space for free imagination. In this world, contradicted and repetitive narrative subverts the monolithic and self-contained traditional narrative. When the text is presented in a multiple and open state, the possibilities of interpretation are maximized.

关 键 词：罗伯-格里耶 游戏观念 拓扑空间 悬搁语言结构 矛盾和重复叙述 

分 类 号：I565.074[文学—其他各国文学]