柔性物感:书籍设计的中国式现代性品质探究  

The Flexible Sense of Substance:Probe into Chinese Book Design with Modernity Quality

作　　者：于广华 YU Guang-hua(Shanghai Academy of Fine Arts,Shanghai University,Shanghai 200444,China)

机构地区：[1]上海大学上海美术学院,上海200444

出　　处：《编辑之友》2020年第7期90-95,共6页Editorial Friend

摘　　要：当前需要创造出既具有民族特性,又具有现代性品质的书籍设计,但在具体的书籍设计实践中,传统文化符号与现代设计样式的简单拼贴,始终难以创造出一种中国式的现代品质感。文章基于物美学视角,在设计的功能与意义维度之外,提出物感维度,深入剖析设计的现代性品质内涵。从最近几年"最美的书"获奖作品来看,通过传统文化与手工艺的现代性转化,一种具有中国式柔性物感的书籍设计范式正在生成,并将柔性物感拓展到人与物的居间性层面,柔性物感的中国式现代性品质的探索,凸显出数媒时代纸质书籍的文化意义,蕴含当前人与物关系重塑的设计伦理诉求,在西方理性化设计范式之外提供了中国经验。At present,we need to create a book design with both national characteristics and modernity quality.However,in the practice of book design,the simple collage of traditional cultural symbols and modern designing styles has always been difficult to create a Chinese-style modernity quality.From the perspective of the aesthetics of objects,this paper puts forward the dimension of"the sense of objects"and deeply analyses the connotation of modernity quality of design beyond the dimensions of function and meaning.Judging from"The Beauty of Books"award-winning works,a book design paradigm with Chinese-style flexible sense of substance is being generated and extended to the spatiality of people and things through the modern transformation of traditional culture and craftsmanship.The exploration of the Chinese-style modernity quality of flexible sense of substance highlights the cultural significance of paper books in the digital media era,contains the current design ethical requirements for reshaping the relationship between people and things,and provides Chinese wisdom beyond the Western rational design paradigm.

关 键 词：书籍设计 物感 现代性 “最美的书” 民族设计 

分 类 号：G230[文化科学]