大型人文历史纪录片《过台湾》的民族影像叙事研究  

A Study on National Image Narrative of a Large-scale Humanistic and Historical Documentary“Crossing the Taiwan Strait”

作　　者：侯京京 张羽[1] HOU Jing-jing;ZHANG Yu(Taiwan Research Institute,Xiamen University,Xiamen 361005,Fujian,China)

机构地区：[1]厦门大学台湾研究院,福建厦门361005

出　　处：《闽台关系研究》2020年第2期103-111,F0003,共10页Research on Fujian-Taiwan Relationship

基　　金：国家社会科学基金重大项目“百年台湾文学中的中华民族叙事研究”(19ZDA279)。

摘　　要：2017年12月,14集大型历史人文纪录片《过台湾》在央视九套首播;时隔一年,其更名为《从历史走来》,又在台湾TVBS播出。这部纪录片介绍了光复之前台湾的社会历史发展,并首次以民众视角观照两岸同源同文、血浓于水的历史认同,展现两岸同胞同仇敌忾、共御外辱的民族精神。在当前两岸差异化的历史叙事背景下,这部纪录片通过草根化的切入视角、情节化的叙事方式以及在地化的认同情怀,建构出以祖籍意识、文化意识、家国意识为前提的民族情结,为两岸的共同记忆重构与再生产探索了一个有益的范本。In December 2017,the 14 episodes of large-scale historical and humanistic documentary"Crossing the Taiwan Strait"was first broadcast on CCTV 9.A year later,it was renamed"Coming from History"and broadcast on TVBS in Taiwan.This documentary introduces the social and historical development of Taiwan before the Recovery,and for the first time observes the historical identity of the two sides of the Taiwan Strait with the same origin,blood and cultural identity from the perspective of the people,showing the national spirit of compatriots on both sides of the Taiwan Strait with sharing common enemy and resisting external humiliation.Under the background of current cross-Strait differentiation in historical narrative,this documentary constructs a national complex based on ancestral awareness,cultural awareness and homeland awareness through the grassroots perspective,plot narrative style and localized identity feelings,which explores a beneficial model for the reconstruction and reproduction of the common memory of both sides of the Strait.

关 键 词：影像叙述 话语建构 民族叙事 身份认同 

分 类 号：J952[艺术—电影电视艺术]