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作 者:林岩[1] Lin Yan
机构地区:[1]中国艺术研究院工艺美术研究所,北京100029
出 处:《中国生漆》2020年第2期39-45,共7页Journal of Chinese Lacquer
基 金:中国艺术研究院2019年度院级课题:中国艺术年度发展报告。
摘 要:近年来政府相续出台激发文化和旅游消费潜力、促进产业融合发展等相关政策措施,进一步推动传统工艺振兴与非物质文化遗产保护,社会团体与学术机构持续重视关注,虽然受国际政治局势动荡与全球性经济疲软影响,但"手工艺热"升温不减。当代作为手工艺门类之一的漆艺,其发展总体上呈现提质优化、转型升级、稳中有进的发展态势。具有文化产业与文化事业双重属性的漆艺正处于转型时期,其作为一种生产方式,与工业化生产、人工智能共同竞争融合中呈现众多新型热点现象。这些热点现象凸显出漆艺在技艺传承的同时,更要注重文化生产力的质量,发挥越来越立体化的社会功能,才能实现产业优化升级。In recent years,the government has successively issued policies and measures to stimulate the potential of cultural and tourism consumption,promote the integrated development of industries,and further promote the revitalization of traditional crafts and the protection of intangible cultural heritage.Social groups and academic institutions continue to pay attention to it.Despite the impact of International political turmoil and global economic weakness,the"Handcraft Fever"keeps rising.As one of the handicraft categories,the development of contemporary lacquer art generally presents the development trend of improving quality and optimizing,transformation and upgrading,and steady progress.Lacquer art,which has the dual attributes of cultural industry and cultural undertakings,is in the period of transformation.As a production mode,it presents many new hot spots in the competition and integration with industrial production and artificial intelligence.These hot phenomena highlight that while lacquer art inherits its skills,it should pay more attention to the quality of cultural productivity,and play more and more three-dimensional social functions,so as to achieve industrial optimization and upgrading.
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