雄浑高古 南朝气韵——我看南朝帝陵石刻造像  

Vigorousness and Elegance of the Southern Dynasties:The Stone Carvings of the Mausoleums of the Southern Dynasties in my eyes

作　　者：吴为山[1] Wu Weishan

机构地区：[1]中国美术馆,北京100010

出　　处：《南京艺术学院学报（美术与设计）》2020年第3期24-28,I0011,共6页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：国家社科基金艺术学重大项目“中国百年雕塑研究”阶段性成果(18ZD18);国家艺术基金“南朝石刻临摹写生与传统雕塑的保护人才培养”项目成果。

摘　　要：南朝石刻造像上承秦汉,下启隋唐六朝,创生于个性解放的时代。所谓"魏晋风度",正反映了当时文人放浪形骸,高谈玄理、超然自得的精神状态。雄浑高古的石刻形制水准达到了中国陵墓雕刻史的一大高峰,其程式化的夸张风格凌逾事物表象,是汉唐之气的纽带和符号化。The stone carvings of the Southern Dynasties inherited the Qin and Han Dynasties, followed the Sui, Tang and Six Dynasties, and were created in the era of personality liberation. The so-called "Wei-Jin demeanor" reflects the mental state of the literati at that time, who were unrestrained and contented, talking freely of profound theories. The vigorous and elegant stone carving reached a great peak in the history of Chinese tomb carving. Their stylized and exaggerated style outweighed the appearances of things and was the link and symbol of the spirit of the Han and Tang dynasties.

关 键 词：南朝时期 帝陵石刻 夸张风格 程式化 

分 类 号：J315[艺术—美术]