对于停滞在“工艺美术现象”的珐华彩未来的深思  

Thoughts on the future of fahua technique stuck in the"craft art phenomenon"

作　　者：周志雯 Zhou Zhiwen(Silpakorn Uuniversity,Thailand,73000)

机构地区：[1]泰国艺术大学,泰国73000

出　　处：《陶瓷研究》2020年第3期89-91,共3页Ceramic Studies

摘　　要：珐华彩作为中国传统陶瓷技法的一种,珐华彩一直停滞在"工艺美术"现象这块,缺失了学问及学科建设意识,缺失了经过完整的教育体系培养的"学院派",缺失了民间工艺美术师传统技艺的传承,更加缺失了外来艺术家为其注入新鲜的血液;纵观史料及文献研究,珐华彩还缺乏强有力的理论探讨为基础,基础理论滞后,经验描述单一等制约着珐华彩的发展,加上珐华彩技法自身工艺难度大,绘画技法特殊等瓶颈性问题。本研究主要采取文献调查法对现有相关的文献作系统梳理,从批判性思维的角度试图对传统技法珐华彩陶瓷研究面临的处境作评述探讨,将涉及的观点和问题进行归纳及提炼,有望通过探析突破长期处于滞后的珐华彩进行总结性反思,今后进一步认清和解决这些问题提供历史和学理性依据,推动这一门学问的传承与发展。Fahua ceramic which is still in the stage of arts and crafts,is one of the traditional Chinese ceramic handicrafts.Fahua ceramic has been stuck in the stage of"art and craft".It lacks the consciousness of learning and discipline construction and the lack of"academicism"cultivated by a complete education system.Missing the inheritance of the traditional skills of folk art and craftsmen.And it also lacked the infusion of fresh blood from multidisciplinary artist.Throughout historical materials and literature research,It is also lacking the sense of discipline and being short of the basic theory as well as the few description experience have limited the development of Fahua ceramic.Furthermore,the difficulty of the craftsmanship and the special technique of painting also contribute to the lagging development of Fahua ceramic.This research mainly adopts a literature survey method to systematically sort out the existing relevant literature,from the perspective of critical thinking,tries to comment on and discuss the situation faced by the traditional techniques of fahua ceramics research,and summarizes and refines the views and issues involved.The author is expecting to excavate the long-term lags in the research of Fahua ceramic,and further recognize and solve these problems to provide historical and scientific rational basis,and promote the inheritance and development of this subject in the future.

关 键 词：珐华彩 工艺美术 学科建设 

分 类 号：J527[艺术—艺术设计]