湖北土陶戏曲人物装饰风格和文化意蕴初探  

Preliminary Study on Decoration Style and Cultural Connotation of Opera Characters in Hubei Earthenware

作　　者：吕枫韵[1] 程亚军[2] LYU Fengyun;CHENG Yajun(School of Fine Arts,Central China Normal University,Wuhan 430079,China;School of Arts&Design,Hubei University of Technology,Wuhan 430068,China)

机构地区：[1]华中师范大学美术学院,武汉430079 [2]湖北工业大学艺术设计学院,武汉430068

出　　处：《中国陶瓷》2020年第7期92-98,共7页China Ceramics

基　　金：国家社会科学基金艺术学(18BG136)。

摘　　要：明清以来,湖北土陶大量融入戏剧人物题材。其表现的人物类型涉及远古的神魔佛道、古代的英雄故事,及近现代的传奇野史,它以"无羁的想象力"在土陶上创造的精彩丰富的戏曲人物,是湖北土陶装饰的靓丽风景线。本文从大量精美的湖北土陶戏剧人物实例出发,梳理出它的装饰表现风格,探讨附着其上精神情感和文化内涵。Since the Ming and Qing Dynasties, Hubei earthenware has been widely integrated into the theme of drama characters. Its characters include ancient gods, demons, Buddhism and Taoism, ancient hero stories, and modern legends. It creates wonderful and rich opera characters on earthenware with "uninhibited imagination", which is a beautiful landscape decorated by Hubei earthenware. Starting from a large number of exquisite examples of Hubei earthenware drama characters, this paper combs out its decorative performance style and discusses the spiritual emotion and cultural connotation attached to it.

关 键 词：湖北土陶 戏曲人物 风格 意蕴 

分 类 号：TQ174.6[化学工程—陶瓷工业]