王元骧与“审美反映论”的理论建构  被引量:1

WANG Yuanxiang and the Theoretical Construction of“Aesthetic Reflection”

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作  者:郑玉明[1] ZHENG Yuming(Zhejiang University of Technology,Hangzhou 310023,China)

机构地区:[1]浙江工业大学人文学院中文系,浙江杭州310023

出  处:《天中学刊》2020年第3期6-17,共12页Journal of Tianzhong

摘  要:新时期以来的审美反映论研究经历了20世纪80年代中期至90年代中期的理论建构和90年代中期以后的理论深化、演进两个发展阶段。在理论建构期,王元骧的审美反映论研究主要是从认识的角度,充分挖掘了文艺活动的审美性质,对以审美情感反映活动为核心的文艺反映活动进行了多层次的全面辩证研究;这与钱中文、童庆炳满足于对文艺活动审美性质的探讨而不重视文艺对社会现实的反映性有所不同。在理论深化、演进期,钱中文主张新理性精神文学论,童庆炳倡导“文化诗学”,重视对“审美关系”的研究,与王元骧的审美反映论研究从认识角度转向实践角度,力图通过对文艺实践功能的充分发掘来呼应时代的文艺需要有了更为明显的反差。通过认识与实践两个角度的深入研究,王元骧的审美反映论研究以不同于钱中文、童庆炳的深刻理论思辨实现了理论研究的彻底化,推动了审美反映论研究的深化和演进。在当今文艺学研究中,反思型研究的理论价值由王元骧的研究得到充分展现。The study of aesthetic reflection the new era has gone through two stages:the theoretical construction from the mid-1980s to the mid-1990s and the theoretical deepening and evolution after the mid-1990s.In the period of theoretical construction,WANG Yuanxiang's aesthetic reflection focused on the multiple and critical researches on the aesthetic activities,which is different from that of QIAN Zhongwen and TONG Qingbing.In the period of theoretical deepening and evolution,QIAN advocated the new rational spiritual literature and TONG advocated“Cultural Poetics”and attached importance to the study of“aesthetic relationship”,which was more obvious contrast with WANG Yuanxiang's study of aesthetic reflection from the perspective of cognition to the perspective of practice,trying to respond to the needs of literature and art in the era by fully exploring the practical functions of literature and art.Through the study of cognition and practice,WANG Yuanxiang's study of aesthetic reflection theory has realized the thorough theoretical study and promoted the deepening and evolution of the study of aesthetic reflection theory with the profound theoretical speculation different from that of QIAN Zhongwen and TONG Qingbing.In today's literature and art research,the theoretical value of reflective research is fully demonstrated by WANG Yuanxiang's research.

关 键 词:王元骧 审美反映论 理论建构期 深化演进期 描述型 思辨型 

分 类 号:I206[文学—中国文学]

 

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