论西方手工艺的身体属性和具身化形态  

Study on the Body Properties and Embodied Form of Western Craft

作　　者：关晓辉[1] 

机构地区：[1]华南农业大学艺术学院

出　　处：《创意与设计》2020年第3期66-70,共5页Creation and Design

摘　　要：西方手工艺的身体属性及具身化形态向我们展现了手工艺在艺术领域之外的理论可塑性和丰富性。“craft”的词源含义为力量和体力,天然的身体属性使其在工业革命之前一直被视为体力劳动。20世纪初莫斯提出“身体技术”的概念,为手工艺具身化理论奠定基础。布迪厄从社会关系的角度更深入地阐述手工艺的文化内化。20世纪80年代之后,手工艺具身化形态集中体现为具身知识。英古德借助“思想-身体-环境”模型解释了“获取技艺”过程,马尔汉德则从田野经验出发分析具身知识的获得、使用和交流。The body properties and embodied form of Western craft show us the theoretical plasticity and richness of craft outside the art field.The Craft's etymological meaning of craft is strength and physical strength,and its natural physical properties made it always regarded as physical labor before the Industrial Revolution.At the beginning of the 20th century,Mauss put forward the concept of"body technology",which laid the foundation for craft embodied theory.Bourdieu elaborated the cultural internalization of crafts from the perspective of social relations.Since the 1980s,the embodied form of craft reflected as embodied knowledge.Ingold explained the process of"acquiring technology"with the help of"thought body environment"model,while Marchand analyzed the acquisition,use and exchange of embodied knowledge from the field experience.

关 键 词：西方手工艺 身体属性 具身化形态 

分 类 号：J505[艺术—艺术设计]