诗中皆有我在——论郑献甫的诗歌批评思想  

Universal Presence of Mine——On Zheng Xianfu's Ideas of Poetry Criticism

作　　者：陈丕武[1] 刘海珊 Chen Piwu;Liu Haishan(Lijiang College,Guangxi Normal University,Guilin,Guangxi 541006,China;Guilin UniversityOf Aerospace Technology,Guilin,Guangxi 541004,China)

机构地区：[1]广西师范大学漓江学院语言文学学院,广西桂林541006 [2]广西桂林航天工业学院电子信息与自动化学院,广西桂林541004

出　　处：《桂林师范高等专科学校学报》2020年第4期76-79,共4页Journal of Guilin Normal College

基　　金：2015年广西哲学社会科学规划研究课题“广西古代文学批评思想研究”(项目编号:15DZW001)。

摘　　要：清代广西学人郑献甫论诗,认为诗歌的工与不工都可能流传。但他还是主张诗人作诗应当自觉求工。在他看来,诗之工不仅指在艺术技巧上的精益求精,也指创作时要写真诗,即诗歌要叙写远离俗世的优雅生活,抒发诗人超凡脱俗的闲情逸趣。因此,他反对附宗派、趋风气,因为此种风气容易扼杀诗人的真情。In the Qing Dynasty,Guangxi scholar Zheng Xianfu believed that the good and the bad of poetry might be spread.But he still advocated that poets should consciously create good poetry.Good poetry referred not only to excellence in artistic skills,but also to writing real poems in which poets should describe the elegant life away from the world and express the poets'extraordinary leisure.Therefore,he opposed sectarianism and trends,because this kind of atmosphere was easy to suppress the poets'true feelings.

关 键 词：郑献甫 真诗 诗歌批评 

分 类 号：I206[文学—中国文学]