弹幕文化的审美意蕴探究  

See Its Text,Do not Hear Its Voice--Also on the Aesthetic Implication of Danmu Culture

作　　者：凌晨[1] 于敏 LING Chen;YU Min(School of Literature,Anhui University,Hefei Anhui 230601,China)

机构地区：[1]安徽大学文学院,安徽合肥230601

出　　处：《湖北开放职业学院学报》2020年第14期96-97,共2页Journal of Hubei Open Vocational College

基　　金：2019年安徽大学大自然文学协同创新研究中心课题。

摘　　要：在现代,弹幕文化的兴起,一定程度上为人们提供了释放压力的窗口。人们在观看视频的同时,通过发弹幕的方式与其他网络用户讨论交流,一方面是为了寻找志同道合的人,另一方面是想发表自己的独特观点,展示个性,评论视频中的片段,引起人们的思考或者激荡出更多不同观点,增强弹幕文化的活力。弹幕文化是一种精神狂欢,其背后蕴含着丰富的审美意蕴,它是对日常生活审美化这一美学追求的全新形式的彰显。In modern times,the rise of bullet screen culture,to a certain extent,provides a window for people to release pressure.People are watching the video at the same time,through the hair barrage of ways to communicate and discuss with other Internet users is to find like-minded people on the one hand,on the other hand is to want to publish their unique perspectives,show individual character,the comments of the video clips,arouse people’s thinking or agitate more different views,strengthening the vitality of barrage culture.Danmu culture is a kind of“only see its text,do not hear its sound”of the spirit of carnival,behind which it contains a rich aesthetic implication,whose essence is the pursuit of freedom and equality,and it is the aesthetic pursuit of the daily life of the new form.

关 键 词：弹幕 狂欢 日常生活审美化 

分 类 号：B83[哲学宗教—美学]