从西方文论到马列文论:文化身份挪移与中国主体建构  

From Western Literary Theory to Marxist-Leninist Literary Theory:The Shift of Cultural Identity and the Construction of Chinese Subjectivity

作　　者：代迅[1] Dai Xun

机构地区：[1]厦门大学中文系,厦门361005

出　　处：《中国文学批评》2020年第3期111-120,159,共11页Chinese Journal of Literary Criticism

摘　　要：西方文论分为在西方的西语西方文论和在中国的汉译西方文论。前者中国学者无法施加影响,后者渗透了中国学者的主体性建构。马克思主义文论在中国受到广泛欢迎并产生了深远影响,从延安时期到新中国成立后,以毛泽东文艺理论为代表的中国话语建构不断强化。改革开放后进入中国的20世纪西方文论中,尽管呈现出多元性的特点,但是其主流和核心依然是和马克思主义文论有学术亲缘关系或相通相近的西方文论,包括西方马克思主义文论、左翼文论、后斯大林时代的苏联文论等,第二国际领导人的“修正主义”文论、中世纪文论、同性恋文论等则受到冷遇或拒斥,始终位于边缘地带。汉译西方文论清晰地映照出了西方文论接受中的中国主体性。Western literary theory exists both in the original language and in Chinese translation.In most cases,the former is unable to exert direct influence on Chinese scholars,while the latter is permeated with the subjective construction of Chinese scholars.Since the reform and opening-up,the reception of 20th century Western literary theory in China has shown characteristics of diversity,but its mainstream and core has remained Marxist-Leninist,or those thoughts that present certain affinities with Marxism.Chinese subjectivity is clearly shown in the translation and reception of Western literary theories.

关 键 词：西语西方文论 汉译西方文论 马列文论 主体性 话语建构 

分 类 号：I0[文学—文学理论]