安徽花鼓灯“后场小戏”研究初探  

A Comparative Study on the Backstage Drama of Anhui Flower-Drum Opera

作　　者：李玉煜 LI Yu-yu(School of Music and Dance,Anhui University of Arts,Hefei 230041,China)

机构地区：[1]安徽艺术学院音乐舞蹈系,合肥230041

出　　处：《合肥学院学报（综合版）》2020年第3期62-67,共6页Journal of Hefei University：Comprehensive ED

基　　金：安徽省人文社科省级重点项目“安徽花鼓灯多元化发展趋势及文化价值研究”(SK2018A1084);安徽省质量工程省级教研(一般)项目“国家级非物质文化遗产在高等艺术院校舞蹈人才培养中的应用研究——以安徽花鼓灯为例”(2017jyxm1109);2019年安徽省高校优秀青年人才支持项目计划一般项目“国家级非物质文化遗产——安徽花鼓灯传承人口述史研究”(gxyq2019123)。

摘　　要：就完整的安徽花鼓灯的表演程序来看,"后场小戏"属于最后部分,一般都是有故事情节的对唱或生活小戏,在民间颇受欢迎。但目前相关书籍、论文资料中缺少后场小戏相关内容,可见,安徽花鼓灯这种综合性的表演艺术出现了严重的不均衡发展。本文主要阐述了"后场小戏"的基本概念、产生的过程以及风格特色,通过对"后场小戏"中较有特色的推剧和卫调花鼓戏进行分析总结,为安徽花鼓灯的传承与发展开拓新的空间。As far as the complete performing procedure of Anhui Flower-Drum Opera is concerned, "backstage" opera belongs to the last part,which is generally a duet or life drama with a story,popular among people. However,at present,there is a lack of relevant materials in related books and papers,which shows that Flower-Drum Opera,a comprehensive performing art,has a serious unbalanced development. This paper mainly expounds on the basic concept,development and style characteristics of "backstage" opera. Through the analysis and summary of the more characteristic "Tui" opera and "Wei Diao" opera,it will open up a new space for the inheritance and development of Anhui Flower-Drum Opera.

关 键 词：安徽花鼓灯 后场小戏 推剧 卫调花鼓戏 

分 类 号：F061.5[经济管理—政治经济学]