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作 者:张建英[1] 庄莉红[1] ZHANG Jian-ying;ZHUANG Li-hong(College of Chinese Language and Literature, Jimei University,Xiamen 361021,China)
出 处:《宜春学院学报》2020年第7期88-92,116,共6页Journal of Yichun University
摘 要:从文化层面观察,文学与医学都是“人学”。华文文学与中医学是中华传统文化海外传播的两翼。泰国华人曾心兼有中医师和华文作家两种身份,1990年后他秉持现实主义文学传统倾心创作微型小说十余年,作品渗透着浓厚的中医文化气息。中医文化浸濡下的曾心微型小说特点明显:爱为文心,暗合了中医“医乃仁术”的精神传统;向善扬善的文学主张,传达了中医以善为美的价值理念;顺应自然的审美志趣,体现了中医天人合一观念形态;运用以外显内的艺术手法描写人物,与中医司外揣内的致知方法相呼应。中医文化浸染曾心创作过程,他的微型小说具有鲜明个人色彩,独特艺术魅力。from the cultural perspective,literature and medicine are both“human science”.Chinese literature and traditional Chinese medicine are the right arms of the overseas dissemination of traditional Chinese culture.Zeng Xin,a Thai Chinese,was a Chinese doctor and a Chinese writer.After 1990,he adhered to the realistic literary tradition,devoting himself to the micro-fiction creations for more than 10 years,and his works exuded the strong breath of traditional Chinese medicine culture.Under the influence of this culture,Zeng Xin’s micro-fictions had distinctive features:love is the theme,which implied“heal the sick is benevolence”,the spirit of traditional Chinese medicine;The literature view of promoting kindness,which conveyed“virtue as beauty”,the value in traditional Chinese medicine;the aesthetic interest of conforming to nature,which embodied the idea of unity between human and nature in traditional Chinese medicine;showed characters’inner worlds via portrayed their appearances,which resonates with the method of getting to know of traditional Chinese medicine.
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