《清明上河图》中宋代家具的形式研究  

Analysis on the Song Dynasty Furniture in Riverside Scene at Qingming Festival

作　　者：李萌 牛思琦[1] Li Meng;Niu Siqi

机构地区：[1]沈阳建筑大学设计艺术学院,辽宁沈阳110168

出　　处：《家具与室内装饰》2020年第6期26-27,共2页Furniture & Interior Design

基　　金：辽宁省社会科学规划基金项目(L16AGL014)。

摘　　要：在中国传统家具发展史上,宋代是一个重要时期,席地而坐的生活方式已经完全被取代,家具不仅仅是满足人们的生活需求,也在艺术性和实用性上得到了广泛发展,家具类别和设计风格基本成型。北宋画院画家张择端的《清明上河图》是北宋风俗画代表之一,生动地记录了北宋都城汴京的城市面貌和当时的市井生活,其中出现的家具是北宋末年市井家具的荟萃,对研究中国古代家具有着重要的意义。本文将《清明上河图》中家具从椅、桌、凳三个方面对画作中出现的典型家具进行概括性描述,进而总结归纳出宋代家具的形式和风格特点并简述其对后代的影响。In the history of traditional Chinese furniture,the Song Dynasty marks an important period of China’s furniture development.During that period,the lifestyle of sitting on the ground has been completely replaced by using furniture,which not only meets people's daily requirements but also achieved wide development artistically and practically.The furniture category and design style are basically formed at that time.Zhang Zeduan,a painter of the Northern Song Academy who drew Riverside Scene at the Qingming Festival,is one of the representatives of the Northern Song Dynasty’s genre painting.He vividly records the appearance of Bianjing,the capital city of the Northern Song Dynasty,and the street life at that time.In the painting,the furniture is the essence of the folk’s furniture in the late Northern Song Dynasty,which is of great significance to the study of ancient Chinese furniture.This article will make a general description of the furniture that appeared in Riverside Scene at Qingming Festival from three perspectives,namely,chairs,tables,and benches.Then,it summarizes the form and style characteristics of the furniture in the Song Dynasty to briefly describe its influence on the offspring.

关 键 词：清明上河图 宋代家具 宋代家具特点 

分 类 号：TS664.01[轻工技术与工程]