六朝诗歌中所见女子面妆管窥  

A Glimpse of Women’s Face Makeup in the Poems of the Six Dynasties

作　　者：张玉安 Zhang Yu'an

机构地区：[1]北京服装学院美术学院

出　　处：《艺术设计研究》2020年第4期63-67,共5页Art & Design Research

基　　金：国家社科基金艺术学重大项目“中华民族服饰文化研究”(项目批准号:18ZD20)的阶段性成果。

摘　　要：面妆在女性化妆中占有十分重要的地位,起着画龙点睛的作用。六朝诗人通过自己的生花妙笔,将女性面妆的审美特征呈现在世人面前,让我们既可以一窥六朝女子的美貌容颜,又可以发现当时女性化妆的诸多乐趣与奥妙。本文以六朝诗歌为线索,探讨了蛾眉、花黄、面靥、傅粉、唇红等女性面妆形式,及其在女子妆饰中的特殊作用,从中亦可以发现当时女性微妙的审美心理变化。同时笔者认为,面妆只有和人的内在气质、整体妆饰融为一体,才能充分彰显女性自身的独特魅力。Face makeup is very important in female’s makeup,and plays the finishing touch.The poets of the Six Dynasties presented the aesthetic characteristics of women's face makeup to the world through their vivid description,allowing us to not only glimpse the beauty of women in the Six Dynasties,but also find out the fun and mysteries of women's makeup at that time.Based on the poems of the Six Dynasties,this paper discusses the forms of women's face makeup,such as moth eyebrows,Hua-huang,Mian-yan,Fu-fen and painting-lipsticks;and from its special role in women's adornment,we can also find the subtle changes of women's aesthetic psychology at that time.Meanwhile,we believe that only when face makeup is integrated with people's inner temperament and overall makeup,can women's unique charm be fully demonstrated.

关 键 词：六朝 诗歌 女子 妆饰 面妆 

分 类 号：J18[艺术—艺术理论]