《春游晚归图》中交椅的形制和行为  

The Form and Behavior of the Chinese Armchair in Painting "Chun You Wan Gui Tu"

作　　者：万炜[1] Wan Wei(School of Art and Design,Changzhou Institute of Technology,Changzhou,Jiangsu,213000)

机构地区：[1]常州工学院艺术与设计学院,江苏常州213000

出　　处：《湖南包装》2020年第4期21-24,共4页

基　　金：江苏省教育厅高校哲社青年基金项目(编号:2018SJA1784)。

摘　　要：文章分析了宋画《春游晚归图》中交椅的形制,包括椅圈倾斜度、靠背样式与荷叶形托首、腿部构造与后撑粱位置3个方面,通过对形制细微变化的解读探讨了其演变的路径和客观原因,讨论了身体对舒适性的自觉追求之于家具设计的具体影响,以及作者对中国古典家具舒适性的见解。从大众和小众两个层面的转变探讨了交椅与人的行为、家具历史、家具文化之间的联系,从行为的角度进一步映证了该交椅演进的内在原因。The article analyzes the shape of the Chinese Armchair in the Song painting "Chun You Wan Gui Tu", including the inclination of the chair circle, the backrest style and the lotus leaf shape of the head, the leg structure and the position of the back support beam. The interpretation of subtle changes explores the path and objective reasons for its evolution. Discussed the specific influence of the body’s conscious pursuit of comfort on furniture design, and the author’s views on the comfort of Chinese classical furniture. From the perspective of the public and the niche, it explores the relationship between the Chinese armchair and human behavior, furniture history, and furniture culture, and further reflects the internal reasons for the evolution of the Chinese Armchair from the perspective of behavior.

关 键 词：春游晚归图 交椅 形制 行为 

分 类 号：TS665.4[轻工技术与工程]