“中国红”的美学意识演绎与演变  

On Interpretation and Evolution of Aesthetic Consciousness of “Chinese Red”

作　　者：胡蓉[1] Hu Rong(Hengyang Normal University,Hengyang Hunan 421002,China)

机构地区：[1]衡阳师范学院,湖南衡阳421002

出　　处：《衡阳师范学院学报》2020年第4期142-150,共9页Journal of Hengyang Normal University

基　　金：湖南省哲学社会科学成果评审委员会立项课题“湖湘传统美术非物质文化遗产的数字化保护研究”(XSP20YBC304)。

摘　　要："中国红"是中国民俗和传统文化的起源色彩,在历史的传承与演绎中蕴含独特的象征意义。从儒家"五色观"中的"君子尚正色",到封建皇家规定的"尊尊贵贵,不得相逾","中国红"自上而下地影响人们的价值观和对物质的感知。在各类民间民俗活动中,"中国红"结合不同的地域特色成为地域文化的视觉载体。"中国红"所蕴含的语义是中华民族精神五千年历史演绎与传承的文化表征,凝结中华民族文化精神,是团结、向上、积极、奋进的情感与吉祥喜庆文化的表达,是一种与中华民族互联的视觉文化符号。The"Chinese Red"is the origin color of Chinese folklore and traditional culture, which contains unique symbolic significance in the inheritance and interpretation of history. In the modern reconstruction of traditional skills, the"Chinese red"combined with different regional characteristics has become the visual carrier of regional culture. It is proved that the semantics of"Chinese Red"is a cultural representation of the five thousand years of historical interpretation and inheritance of the Chinese nation’s spirit, condensing the Chinese cultural spirit. It is the expression of unity, upward, positive, progressive emotion and auspicious festive culture, and a kind of visual and cultural symbol connected with the Chinese nation.

关 键 词：中国红 美学意识 演绎与演变 民间艺术 现代设计 

分 类 号：J193[艺术—艺术理论]