书法与陶瓷艺术浅探  

A brief exploration of calligraphy and ceramic art

作　　者：钟同林 Zhong Tonglin(Jingdezhen School of Electrical and Mechanical Engineering,Jingdezhen,333000)

机构地区：[1]景德镇机电工程学校,景德镇333000

出　　处：《陶瓷研究》2020年第4期94-96,共3页Ceramic Studies

摘　　要：陶瓷书法发展至今已经逐渐成为书法派系中的一个独特分支,从釉下的青花到现在的釉上墨彩,陶瓷书法已然摆脱了材料的限制。在当下的陶瓷艺术领域中,诞生了众多以陶瓷书法为主的陶瓷艺术,这与早期作为点缀的瓷题诗不同,陶瓷书法更多的是以书法为主,而陶瓷则是作为一个媒介或者是载体来表现书法艺术的美。与传统的纸墨不同,陶瓷传世上更占优势,不会因为时间而腐化,并且陶瓷独特的材料美也给书法艺术增添了更多的韵味。携二者之所长,陶瓷书法艺术的出现给中国书法带来了更多的可能,同时也丰富了陶瓷艺术的门类。The development of ceramic calligraphy has gradually become a unique branch of the calligraphy faction,from the underglaze blue and white to the current glaze ink color,ceramic calligraphy has been freed from the limitation of materials.In the current field of ceramic art,there are many ceramic art based on ceramic calligraphy,which is different from the early decorative ceramic poems.Ceramic calligraphy is more based on calligraphy,while ceramic is used as a medium or carrier to express the beauty of calligraphy.Unlike traditional paper and ink,ceramics are more dominant and do not decay over time,and the unique material beauty of ceramics adds more flavor to the art of calligraphy.With the advantages of both,the emergence of ceramic calligraphy has brought more possibilities to Chinese calligraphy and enriched the categories of ceramic art.

关 键 词：书法艺术 陶瓷艺术 陶瓷书法装饰 

分 类 号：J527[艺术—艺术设计]