论魏晋南北朝批评姿态与文体的风貌意味  

On the Attitude and Style of Criticism in Wei,Jin,Southern and Northern Dynasties

作　　者：邓心强[1] DENG Xin-qiang(School of Humanities and Arts, China University of Mining and Technology, XuZhou 221116, China)

机构地区：[1]中国矿业大学人文与艺术学院,徐州221116

出　　处：《北京社会科学》2020年第9期66-75,共10页Social Sciences of Beijing

基　　金：国家社会科学基金后期资助项目“魏晋南北朝批评家建构文体研究”(18FZW023)。

摘　　要：魏晋南北朝文论家善于根据不同体式规范要求行文,根据批评对象以及文本接受者确定语体的运用,以充分彰显自己的创作才华与批评思想。这一阶段批评文体呈现出的整体风貌和意味,取决于批评家在文论中呈现出的批评姿态。文论家们在感性品鉴和理性批评之间漫游,出入于整体和局部之间,灵活调度多种辞格,将叙述和议论有机结合。他们以平等的身份探讨切磋,维护自身观点,义正辞严地辩护,在破立结合中营造出犀利且有张力的文风。针对创作与批评界的不足,他们针砭问题,勇于革新现状,积极培植新人,这些都使此阶段批评文体在诗意与谨严、感性与思理、温和与雄辩等方面呈现出新的面貌,可资当前中国文学批评界参照、借鉴。literary theorists in the Wei,Jin,southern and Northern Dynasties were good at writing according to the requirements of different styles and norms,and determining the use of styles according to the objects of criticism and the recipients of texts,to fully demonstrate their creative talents and critical thoughts.The overall style and meaning of criticism at this stage depends on the critical attitude of critics in literary theory.Literary theorists roamed between perceptual appraisal and rational criticism,entered and exited between the whole and the part,flexibly arranged various figures of speech,and organically combined narration and discussion.They discussed with each other in an equal capacity,safeguarded their own views,defended righteously and solemnly,and created a sharp and tense style of writing in the combination of breaking and establishing.Concerning the shortcomings of the creative and critical circles,they criticized the problems,dared to innovate the situation,and actively cultivated new people.These efforts made the critical style at that stage presented a new look in terms of poetry and prudence,sensibility and reasoning,gentleness and eloquence,which can be used for reference by current Chinese literary criticism circles.

关 键 词：魏晋南北朝 批评文体 批评姿态 风貌 

分 类 号：G122[文化科学] I06[文学—文学理论]