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出 处:《城市环境设计》2020年第3期94-99,共6页Urban Environment Design
摘 要:写在前面:这个展览是一个小结。既是对这十年来相伴我们成长的几个生活类建筑的,也是对我们自己的工作过程的小结。我们一直不满足于从风格直接去到风格,亦不满足于交付给逻辑的机械推导,我们关心形式,但又更着意于形式的内涵。这似乎注定了我们的进展就像生活本身一样,是一个缓慢的、不太惊心动魄的、平凡且琐碎"无聊"的过程。我们用现场的直觉、草图、自言自语、频繁讨论、即时的触动、旅行、可远程协同工作的Archi CAD、基于真实光效的粗糙渲染图以及微信等工作。This exhibition is a summary.It is not only a summary of several living buildings that we have grown up with in the past ten years,but also a summary of our own working process.We are not satisfied with going from style to style,nor with the mechanical derivation delivered to logic.We care about form,but more about the content of form.It seems destined that our progress,like life itself,will be a slow,less thrilling,mundane and trivial“boring”process.We work with live intuition,sketches,self-talk,frequent discussions,instant touches,travel,Archicad that works remotely,rough renderings based on real light effects,and WeChat.Apart from the early stage of Songzhuang Art Space,other projects exhibited here do not pass the manual model elaboration.For the dialogue with mountains,rivers,the earth and the flow of people,as well as the ambition to show a little bit of the situation and spirit of the place,I have chosen the vague deduction rather than the weighing of models.As for the advantages and disadvantages,they are half and half,still being explored.These presented photos or renderings are the manifestation of the objects we have paid the most attention to during the work process.Each one contains a superposition of various attempts and trade-offs during the process,gathering participants’wishful intentions,awkward debugging,as well as mending with regrets.Therefore,so far they are still green,yet I will only choose such immaturity with numerous flaws,while being unable to be attracted by a maturity whose ins and outs remain secretive.
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