《好了歌》前景化语言特征研究  

A Study on the Foregrounding in Won-Done Song

作　　者：李美芹[1] 郑然丹 LI Mei-qing;ZHENG Ran-dan(Zhejiang Gongshang University,Hangzhou,310018,China)

机构地区：[1]浙江工商大学外国语学院,浙江杭州310018

出　　处：《福建江夏学院学报》2020年第4期78-85,共8页Journal of Fujian Jiangxia University

基　　金：国家社会科学基金项目"南非英语文学中的政治书写研究"(19bww045);浙江工商大学“希望杯”青年创新项目;浙江省新型重点培育智库浙江省文化产业创新发展研究员项目。

摘　　要：《红楼梦》的《好了歌》以男性的视角揭露世俗妄念,指出世人对功名、钱财、美色和后裔的念想让他们无法洒脱地生活。这首诗歌通过违反规则的偏离、过度规则的并置两种前景化手段,突出了特定内容,在语言层面产生独特的陌生化效果;横组合前景化和纵聚合前景化在结构层面形成了诗歌中对等要素间的张力,让前景化的成分系统地联系在一起,并且在重要性上按递进顺序排列。由此可见,西方文体学的分析方法对于中国传统的诗歌鉴赏可以构成一种有益的补充。Won-Done Song in A Dream of Red Mansion points out from the male perspective that the pursuit of fame, money, attractive women and descendants makes men suffer.The juxtaposition of such foregrounding features as irregularity and over-regularity in this poem produces unique defamiliarization effects by highlighting specific contents.Paradigmatic foregrounding and syntagmatic foregrounding form the tension between the equivalent elements in the poem, so that the foregrounding components are systematically and progressively linked together. Thus, stylistic analysis can be beneficial for people to appreciate Chinese poetry.

关 键 词：《红楼梦》 《好了歌》 偏离与并置 横组合前景化 纵聚合前景化 

分 类 号：I222[文学—中国文学] H315[语言文字—英语]