萧红小说创作路向选择的文化意义  

The Cultural Significance of XIAO Hong’s Creation Direction

作　　者：刘爱华[1] LIU Aihua(Jilin Provincial Institute of Education,Changchun Jilin 130022,China)

机构地区：[1]吉林省教育学院报刊社,吉林长春130022

出　　处：《吉林省教育学院学报》2020年第8期6-14,共9页Journal of Jilin Provincial Institute of Education

摘　　要：萧红创作伊始是站在时代的风口浪尖上的,她以对阶级、民族压迫下北方人民"生的坚强"和"死的挣扎"的冷静叙述成为左翼文坛的一颗耀眼新星,给当时的文坛带来不小的冲击。全面抗战爆发后,萧红没有随主流作家群前往革命根据地,而是选择去了香港,并在那里创作了《呼兰河传》《马伯乐》《小城三月》《后花园》等不同于以往的重要作品,无论是文化内蕴还是艺术风格都日臻成熟,形成了自己独有的创作品位和艺术风格,形成了独特的"萧红体",而这与鲁迅的影响是分不开的。At the beginning of her creation,XIAO Hong stood on the cusp of the times.She became a dazzling new star in the left-wing literary circle with her calm narration of"life’s strength"and"death’s struggle"of the northern people under the oppression of class and nation,which brought great impact to the literary circle at that time.After the outbreak of the all-round Anti Japanese War,XIAO Hong did not go to the revolutionary base with the mainstream writers,but chose to go to Hong Kong,where she created the Hulan River biography,mabele,small town March,back garden and other important works different from the past.Both cultural connotation and artistic style are becoming more and more mature,forming her own unique creative taste and artistic style,the unique"XIAO Hongti"is inseparable from LU Xun’s influence.

关 键 词：萧红 小说创作 鲁迅 路向选择 文化意义 

分 类 号：I246[文学—中国文学]