东京国立博物馆保管十一面观音像(多武峰旧藏)研究(下)  

The Eleven-faced Avalokitesvara Statue Originally Collected in Tōnomine and Now Kept in Tokyo National Museum(Ⅱ)

作　　者：松田诚一郎 王云(译)[2] MATSUDA Seiichiro;WANG Yun(Department of Acesthetics and Arts History,Faculty of Fine Arts,Tokyo University of the Arts,Tokyo,Japan;School College of Humanities,Central Academy of Fine Arts,Beiing 100005)

机构地区：[1]东京艺术大学美术系,日本东京 [2]中央美术学院人文学院,北京

出　　处：《敦煌研究》2020年第4期1-17,共17页Dunhuang Research

摘　　要：围绕东京国立博物馆保管十一面观音像(多武峰旧藏),从其图像、形式、风格以及文献等方面展开讨论,认为此像忠实地反映了与"檀像"概念形成密切相关的《十一面经》的造像法,是唐代、略晚于7世纪中期(与《十一面经》第一译、第二译出现的年代相当)的中央地区的作品。This article is an in-depth study of the iconography,form,style,and literary source material of an Eleven-faced Avalokitesvara statue that was originally collected in Tōnomine in Nara but which has since been moved to Tokyo National Museum.The statue shows an almost word-to-word conformity with descriptive passages from the Ekādasamukha-sūtra,a Buddhist sutra which is closely related to the formation of the concept of"dansō"(sandalwood statue)in Buddhist art.The author concludes that the statue was a cooperative work by members of a prominent group of sculptors in the Chinese continent made in the Tang Dynasty sometime after the middle of the 7th century when the original and updated translations of the Ekādasamukha-sūtra were successively created.

关 键 词：檀像 白旃檀 十一面观音 数珠 璎珞 阿地瞿多 玄奘 神泰 定慧 《十一面神咒心经》 《十一面观世音神咒经》 《陀罗尼集经》 印度 唐 长安 慧日寺 日本 多武峰 

分 类 号：K879[历史地理—考古学及博物馆学]