论丰子恺的西方音乐学理论传播及中国化实践  

On Feng Zikai s Dissemination and Sinicization of Western Musicology

作　　者：刘建东[1] Liu Jiandong(Normal College,Jiaxing University,Jiaxing,Zhejiang 314001)

机构地区：[1]嘉兴学院师范学院,浙江嘉兴314001

出　　处：《嘉兴学院学报》2020年第5期36-42,共7页Journal of Jiaxing University

基　　金：国家社会科学基金(艺术学)后期资助项目(18FYS013)。

摘　　要：丰子恺在西方音乐学基础理论及音乐史学理论上的探索起始于20世纪20年代,在国人初涉西洋音乐的年代就开始了音乐学基础理论及音乐史学理论的引入、研究,开创了近代中国西方音乐学理论与音乐史学理论探究的先河。在介绍、传播西方音乐学理论的同时,他自觉将外来理论与我国实际相结合,努力进行西方音乐学理论的中国化实践。丰子恺的西方音乐学理论中国化实践,推动了近代中国音乐学理论的进步与发展,大大加快了西乐东渐的历史进程,并为中国音乐融入世界音乐发展的潮流、为新时期中国音乐赢得世界音乐的话语权作出了历史贡献。Feng Zikai s exploration of western musicology and music history began in the 1920s.He started to introduce and research fundamental theories of musicology and theories of music history and initiated related study in China during the period when Chinese people just initially got to know western music,so he broke ground on these two fields in modern China.In the meantime,he consciously combined foreign theories with Chinese music and took pains to carry out the sinicization of western musicology.Feng Zikai s such practice promoted the development of modern Chinese musicology,and greatly advanced the eastward spread of western music.He made historical contribution to the integration of Chinese music into the developing trend of global music and made it have a say in the world.

关 键 词：丰子恺 音乐学 理论研究 中国实践 

分 类 号：G609.2[文化科学—教育学]