论民族音乐学田野考察中乐种体裁分类--以西双版纳地区傣族赞哈调为例  

On the Classification of Music Genres in the Field Investigation of Ethnomusicology——Taking Dai People’s Zanha Tone in Xishuangbanna as an example

作　　者：李纬霖 LI Weilin

机构地区：[1]贵州民族大学音乐舞蹈学院,贵州贵阳550025

出　　处：《艺术探索》2020年第4期93-97,共5页Arts Exploration

摘　　要：民族音乐学学者在田野考察过程中,当就乐种体裁分类访问时,不同身份受访者所给出的答案在一定程度上存在着差异。这就需要研究者运用"民间评价"和"分析评价"等理论,将不同身份受访者的分类观归类、整合,以得出自己的分类观。In the process of field investigation,the answers given by interviewees with different identities were different to a certain extent while ethnomusicologists interviewed on the topic of different types of music.This requires researchers to use theories such as"Civil Evaluation"and"Analytic Evaluation"to classify and integrate the classification views of interviewees with different identities to conclude their own classification views.

关 键 词：民族音乐学 田野考察 乐种 分类 赞哈 

分 类 号：J607[艺术—音乐]