圣像、图像、形象:艺术史的三种读图方式  

Sacred Images,Icons and the General Images:on Three Image-reading Methods in Art History

作　　者：董丽慧 Dong Lihui

机构地区：[1]北京大学艺术学院

出　　处：《美术》2020年第9期105-112,共8页Art Magazine

摘　　要：本文以20世纪初上海土山湾制作的《中华圣母像》(Our Lady of China)为例,结合相关油画、桌屏、刺绣、插图、宣传画,以及由此建构的“中华圣母”形象,从圣像、图像、形象三个维度探讨艺术史的三种读图方式。本文认为,从19世纪末逐渐成为艺术史研究主流方法论的传统图像志,到20世纪末兴起的强调媒介平等的视觉文化研究,乃至新世纪以来对形象作为有机生命体的讨论,图像研究的方法经历了从“读图”到“图说”的研究范式转向,在艺术史研究的实际应用中,均可为之提供可行的研究视角和更多可能的未知视域。With Our Lady of China created at Tushanwan,Shanghai in the early 20th Century as an example,this paper discusses three imagereading methods from the perspectives of the sacred images,the icons and the general images based on related oil paintings,table screens,embroideries,illustrations and posters.The traditional iconography was the mainstream method to study the art history in the late 19th Century;in the late 20th Century,the visual culture study that emphasis medium equality rose;and in the 21st Century,image is viewed as the organic being.The image study methods experience the paradigm shift from image-reading to image-interpreting,providing more perspectives and possibilities for art history study.

关 键 词：圣像 图像 形象 《中华圣母像》 

分 类 号：J205[艺术—美术]