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作 者:许洁[1] XU-Jie(Caochang Street Primary School of Shijiazhuang,Shijiazhuang 050051,China)
出 处:《社会科学论坛》2020年第5期94-98,共5页Tribune of Social Sciences
摘 要:次韵诗作为唱和应答性质的诗作,自南北朝时期就已经出现。但是其流行与流传则离不开中唐诗人元稹的创作。元稹在与白居易等人的互赠诗歌中,探索使用“戏排旧韵,别创新词”的做法,创作了很多次韵诗。元稹的次韵诗具有内容广、篇幅长、用韵量大的特点,与白居易共同开创了“元和体”,其作品在用韵、题材内容等方面都极大地受到了白居易的影响。但元稹仍应被视为唐次韵诗的先行诗人。次韵诗这种体裁在宋代有着更大的影响,苏轼、黄庭坚都创作过为数不少的次韵诗,成为了一种形式固定的诗歌。As a kind of responsory poetry,the rhyme-matching poetry has appeared since the Southern and Northern Dynasties.But its popularity and spread can not be separated from the creation of yuan Zhen,a poet in the Middle Tang Dynasty.Yuan Zhen,in the process of exchanging poems with Bai Juyi and others,explores the practice of“play the old rhyme,do not innovate words”and creates many rhyme-matching poems.Yuan Zhen's rhyme-matching poems are characterized by wide content,long length and large amount of rhyme.Meanwhile,he creates Yuanhe style with Bai Juyi.Yuan Zhen's poems are greatly influenced by Bai Juyi in the aspects of rhyme and subject matter.But Yuan Zhen should still be regarded as the antecedent poet of the rhyme-matching poetry in Tang Dynasty.The rhyme-matching poetry has a greater influence in Song Dynasty.Sushi and Huang Tingjian have created a number of the rhyme-matching poems,and the rhyme-matching poetry becomes a fixed form of poetry.
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