黄天锡作品《葬花》对大调曲子的传承与创新发展解读  

AN INTERPRETATION OF THE INHERITANCE AND INNOVATION OF DA DIAOQU “LIN DAIYU BURIES FLOWERS”

作　　者：王雨[1] WANG Yu(School of Teacher Education,Nanyang Institute of Technology,Nanyang 473004,China)

机构地区：[1]南阳理工学院教师教育学院,河南南阳473004

出　　处：《南阳理工学院学报》2020年第3期118-124,共7页Journal of Nanyang Institute of Technology

基　　金：2018年度河南省教育厅人文社科研究项目(2018-ZZJH-366)。

摘　　要：大调曲子是传承于明代的俗曲,六百多年以来,在民间生长,为文人所推崇。本文解读了大调曲子《葬花》对经典的传承和对艺术的创新,并对《葬花》中的曲牌的调式调性、音调色彩、演唱方法、节奏运用等进行了分析,形成了对作品曲体结构、行腔用韵和三弦伴奏的探究和解读。学习并研究黄天锡运用大调曲子这一曲艺形式,完美塑造出"黛玉葬花"的创新手法,有利于我们更好地传承和发展大调曲子。Da Diaoqu is a folk tune inherited from the Ming Dynasty, It grows in the folk, and is valued by scholars for more than six hundred years. This articlemadestudies of DaDiaoqu Lin Daiyu Buries flowers which composed by Huang Tianxi. The article analyzed the tune’s inheritance of classics and innovation in art as well as the tonality, tone color, singing method, rhythm application, etc. The author studied the composition of the music work Lin Daiyu Buries Flowers, researchingthe rhythm of work and the method of accompaniment of musical instruments three strings. The folk artist Huang Tianxi used the Da Diaoqu, this folk art form to perfectly shape the innovative technique of music work Lin Dai Yu Burial Flower, in this way, we can better inherit and develop the Da Diaoqu.

关 键 词：大调曲子 黄天锡 葬花 审美 

分 类 号：D616[政治法律—政治学]