山东运河区域传统音乐保护与传承研究——以武城运河号子为例  

On the Protection and Inheritance of Traditional Music in Shandong Canal Area:Take Wucheng Canal Haozi as an Example

作　　者：胡梦飞 HU Meng-fei(Research Institute of the Canal,Liaocheng University,Liaocheng Shandong 252059,China)

机构地区：[1]聊城大学运河学研究院,山东聊城252059

出　　处：《淮阴工学院学报》2020年第4期7-9,51,共4页Journal of Huaiyin Institute of Technology

基　　金：山东省艺术科学基金项目(QN201906104)。

摘　　要：由于京杭运河的流经,运河沿岸地区出现了各式各样的劳动号子,其中就包括武城运河号子。根据其使用的场合、劳动特点不同,武城运河号子分为船号和夯号两大类。武城运河号子是源于劳动生活,是沿岸民众勤劳和智慧的结晶,具有重要的历史、文化和艺术价值。随着德州段运河的断流,运河号子的原生态环境已发生很大改变,运河号子面临无人传唱的尴尬境地。在对其进行抢救性保护的基础上,坚持原真性和整体性保护原则,借助大运河带的建设这一重要契机,对其进行挖掘、整理和研究,增强保护意识和重视程度,促进其得到更好的保护和传承。Wucheng Canal haozi,or labor chant,is among the various labor chants developed along the Beijing-Hangzhou Canal.According to the occasions and characteristics of the related labor,two types can be identified:those chanted by boat trackers and those sung by rammers.Wucheng Canal haozi,as the crystallization of the hard work and wisdom of the local working people,has important historical,cultural and artistic value.With the severance of the Dezhou section from the Canal,the changes in the original environment that had produced the Canal haozi are endangering the continual existence of the latter.In salvaging the Canal haozi,we must adhere to the principles of authenticity and holistic protection,and,taking advantage of the important opportunity of the canal cultural tourism,follow our work up with careful collection,organization and research.Only with an enhanced awareness of the necessity to do so can we better protect it and keep it alive.

关 键 词：传统音乐 武城 运河号子 

分 类 号：G122[文化科学]