白木的概念及其文化特征  

The Concepts and Cultural Characteristics of Shira-wood

作　　者：赵广杰[1] ZHAO Guang-jie(College of Material Science and Technology,Beijing Forestry University,Beijing 100083,P.R.China)

机构地区：[1]北京林业大学材料科学与技术学院,北京100083

出　　处：《林产工业》2020年第9期1-5,共5页China Forest Products Industry

基　　金：林业科技成果国家级推广项目([2018]04号);国家自然科学基金项目(5173641091)。

摘　　要：对白木概念及其基本文化特征进行探析。基于白木肌理解剖特征、感觉特性,讨论了白木狭义概念与广义概念;在白木广义概念范畴内,归纳了白木器物悠长的文化历程;以佛像用材从阔叶树材向针叶树材转变过程为线索,探讨了白木文化生成路径及其转折点;以观念文化为主线阐述了白木文化结构特征;基于此,比较了白木文化与红木文化特征之间主要差异。In order to expound the concepts and basic cultural characteristics of shira-wood,in this paper,the narrow and broad concepts of shira-wood based on its anatomical and sensory characteristics were firstly discussed.In the broad concept of shira-wood,the long cultural history of shira-wood utensil was summarized.Based on the transformation process of the Buddha statues from hardwood to softwood,the generation path of shira-wood culture and its turning point were discussed.Taking concept culture as the main line,the structure characteristics of shira-wood culture was expounded.Finally,the main differences between shira-wood culture and rosewood culture were compared.

关 键 词：白木 肌理 白木文化 生成路径 器物文化 观念文化 

分 类 号：TS611[轻工技术与工程]